Celtic Mythology A to Z

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They built houses of mud and straw and pounded the dirt to make hearths to build their fires. They learned to grow and store such crops as soy, millet, and rice for the winter. Somehow, they discovered that the cocoons of silkworms could be boiled to produce raw silk and they invented methods of spinning the silk into thread, weaving the thread into cloth, and sewing the cloth into garments.

They experimented with clay, molding the material into bowls and pots and then baking the finished pieces in a very hot fire to create pottery utensils to store food, water, and herbs.

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They invented symbols to keep records, which archaeologists found on the remains of pottery, and which they think indicated the particular clan or group of families who made the piece. Archaeological evidence left behind by three such clans have given scholars a good picture of Neolithic life. The Yangshao clan was named after a village in the mountainous, northern Henan Province, which archaeologists excavated in A second branch of this clan, the Majiayao, was discovered in in Gansu Province near Tibet, at the northernmost tip of the Yellow River.


The Longshan or Lungshan clan, from a slightly later period, lived in the flat grasslands of eastern China. They clustered their individual houses together to form villages, built low walls of earth to protect their land, and raised pigs and domesticated dogs. Gienna Matson is a writer who lives and works in Massachusetts.

She has worked as a reporter, editor, and teacher and holds a degree in journalism from Suffolk University in Boston. Jeremy Roberts has published nearly two dozen books for young readers. He has studied mythology for more than a decade.


Celtic Mythology a to Z by Gienna Matson, Hardcover | Barnes & Noble®

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Exploring Celtic Mythology: The Tuatha Dé Danann

Perhaps as well, in some cases, distance from a potent and militarized empire creates a calmer tone. With the Chthonic figure of Dagda, an earth God whom bears a cauldron and a club or hammer, we find that the Semitic element has ascended.

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Here he is the Chieftain God, ostensibly a relatively ancient God. The Cauldron as well as a symbol, often connected to the Holy Grail, plays saliently in Celtic myth. Here it even appears as a cauldron of rebirth, a central vaginal symbol, where men enter and emerge changed, sometimes for the worse.

Mythology A to Z: Celtic Mythology a to Z by Gienna Matson (2004, Hardcover)

Yet this Celtic God was much more likely named intelligently by people speaking a proto-Celtic language assigning name meaning through an understanding of this language. Like Bacchus and Mercury he is also indicated a phallic God.

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This contrast arrises especially vis-a-vis Norse Myth. Hence it is naturally assumed we see a conflict between Solar Aryan powers and Chthonic Semitic powers.

Celtic Mythology A to Z

Yet modern and ancient JEM reveals that conflicts between Semitic figures is entirely common in Jewish and proto-Jewish art. This is what we call the Caducean Phenomenon, a phenomenon persisting also in the real world as this study describes. The Fomorians are also described as sometimes missing a single arm, leg or eye. This does not however necessarily suggest them as genetic misfits. Rather we may see here the Hamsa motif where eyes, hands and soles of feet, for instance, are given a sexual significance.

Chinese Mythology A to Z

If so, this would indicate them as sexually cuckolded or demoted. The Fomorians are Giants and sea raiders, perhaps etymologically connected to the ocean, and may, in the end, find their closest analog in the Jotuns of Norse myth, as many experts have pointed out. In a relationship similar to that between the Aesir and the Jotuns, the Fomorians will intermix with the Tuatha de Danann. As this study relates, the Jotuns are likely a caricature of the Hyperborean Giants of Greek myth whom are certainly Aryan figures.

Thus what is perhaps described is a viking-like, Nordic invading group, with Semitized Aesir leadership.

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This fits well with our understanding of the history of Celtic peoples. First it posits Lugh as oppositional to a sun symbol. Further, as this study discusses, the eye in JEM has appeared commonly as a vaginal symbol and especially an Aryan vaginal symbol.